Horror Weekly
Horror Weekly
The Dreadful, The Other, Silent Hill Revelation, The Hills Run Red, and Godzilla: Final Wars
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The Dreadful, The Other, Silent Hill Revelation, The Hills Run Red, and Godzilla: Final Wars

Horror Weekly #377

We’ll start off the week with a new folksy-horror film, “The Dreadful.” We’ll then take a look at some rough family life with “The Other” from late last year. “The Hills Run Red” is this week’s lame-o slasher film. Finally, we’ll continue our series coverage with “Silent Hill: Revelation” and “Godzilla: Final Wars.”

All this as well as the latest issue of “Horror Monthly,” issue #54, is available! Check out all the back issues, as well as our other books, with one easy link:

https://horrormonthly.com

Mainstream Films:

2026 The Dreadful

  • Directed by: Natasha Kermani

  • Written by: Natasha Kermani

  • Stars: Sophie Turner, Kit Harington, Marcia Gay Harden, Laurence O’Fuarain, Jonathan Howard

  • Run Time: 94 minutes

  • Trailer:

Spoiler-Free Judgment Zone

Two women in 1400s England live a quiet life on their own on the edges of society. And it’s a quiet and slow build of a movie. But the dread does build and things get darker as things go along. It’s pretty low key in every way, with beautiful scenery and strong performances. We both liked it quite a bit.

Spoilery Synopsis

Anne goes to church and has Communion. Her mother-in-law, Morwen, is a pickpocket, stealing from young mothers. They’re poor, and all the men from the village have gone off to war.

Anne dreams of her husband, Seamus, returning from war, but there’s something very wrong with him. Morwen says, “This war will make us rich.”

The next day, she runs into Jago, home from the war. He tells the story of how Seamus was rather brutally killed in the war. She still remembers when they were all little and growing up together. Anne and Morwen take the news badly.

Not long after, there’s a shipwreck nearby, and one survivor makes it to the beach. Morwen stabs him in the back, which Anne doesn’t see, and then she and Anne loot the bodies. “God is smiling on us to send such good luck,” Morwen adds. They eat well that night.

Jago likes Anne, but she’s not really interested in him. Morwen doesn’t like him either; he was always jealous of Seamus.

A wandering priest comes by and shows them his relic. He wants to sell it to them for three silver pieces. As he prays with Anne, Morwen cuts his throat. Anne is horrified, but Morwen justifies it all.

Some time later, Anne watches as a knight in armor kills a man in the field. She’s seen the knight before. She runs to Jago for protection, and he likes that. Later, she has a dream where Morwen is eating raw flesh. She sneaks out of the house late at night and goes to Jago; they have sex. He wants her to move in with him, but she thinks Morwen needs her.

Anne starts helping Morwen kill and rob travelers of their valuables. When Jago comes around for Anne, Morwen runs him off with her knife. She sneaks off to do her thing with Jago when Morwen’s asleep.

Meanwhile, Morwen watches as a knight in armor comes to their house. She follows him and kills him from behind. She takes off his helmet and loots him.

Anne tells Morwen that she’s leaving to be Jago’s wife. Morwen does not take it well, and she goes to live with Jago. That night, Anne dreams that the demon knight came and killed them both.

Anne notices discrepancies in Jago’s story about her husband’s death. Could he have killed Seamus? He tells the story about how Seamus would kill soldiers and rob their bodies– just like his mother’s been doing. Seamus killed the knight in the helmet and put on the helmet. The helmet burned Seamus and wouldn’t come off; Jago left him there on the battlefield. Anne turns against him and leaves.

We get a flashback to Morwen killing the knight, who turned out to be Seamus in that same helmet.

Anne goes to the village and finds the priest has been murdered by the knight. She runs to Morwen’s house, but the old woman isn’t home. The knight shows up, and it’s Morwen inside the helmet. She screams that she can’t get it off. Anne rips the mask off, and Morwen is all disfigured under there now. “Now you really are a demon,” Anne says.

An actual demon comes out of the helmet, and the two women run for the house. When Anne looks outside, all she finds is the helmet.

Anne and Jago talk about demons. He still wants her, but now she’s loyal to Morwen, who has gone blind from what the helmet did to her. Anne goes outside and picks up the helmet…

Brian’s Commentary

This is based on the same Buddhist parable as “Onibaba” (1964). Like that film, this one is slow-moving and atmospheric. There aren’t any jump scares or anything like that; just a slow buildup of dread that you know isn’t going to end well. And it doesn’t.

Kevin’s Commentary

The scenery and quiet of the movie are very soothing. The dreadfulness is there, but it’s pretty low-key. I thought it was a good watch. Excellent cast.

2025 The Other

  • Directed by: Paul Etheredge

  • Written by: Paul Etheredge

  • Stars: Olivia Macklin, Dylan McTee, Avangeline Friedlander

  • Run Time: 1 Hour, 38 Minutes

  • Trailer:

Spoiler-Free Judgment Zone

When a couple brings home a little orphan girl, it’s not a simple happily ever after. There’s a reason she’s holding that drill in the poster, and we get to find out why. It builds slowly to a big finish, then a very abrupt ending. It’s on the unique side, and we liked it more than disliked it.

Spoilery Synopsis

The lady at the adoption agency explains that Kathelia doesn’t speak , but they don’t know why. She’s been returned to the orphanage before. Robin and Daniel go ahead and adopt her anyway. Credits roll.

Robin’s mother has done some research and learned that Kathelia’s mother killed and cut up her whole family, which might be why Kathelia doesn’t speak. We see that all the food in the house has very suddenly gone off.

That night, everyone goes to bed, and Kathelia grabs a big knife from the kitchen as something out in the pool goes, “Bloop!”

In the morning, Daniel finds some pink sludge growing in the pool. Robin finds that all her kitchen knives are missing. Kathelia looks hard at the pink stuff.

Kathelia meets Fiona, a neighbor with Down Syndrome. They spend the morning throwing dolls in the sewer. She’s… weird. Her mother, Lizzie, comes over, and Fiona says, “That lady is a door” to Robin. Robin starts being afraid to be home alone.

The family throws a party for all the people they know with children, and Kathelia doesn’t look happy to be there. All the kids know about Kathelia’s murderous mom, which soon turns into a fight. Afterward, Robin gets into the jellyfish-infested pool. Meanwhile, Kathelia packs a bag and runs out the front door until she gets a nosebleed. They soon find her.

In the morning, Fiona knows that Kathelia “tried to get away” and couldn’t. “You’re stuck here now.” She follows this up with, “Monsters are coming. They’ll be here soon.”

The parents take Kathelia to a child psychologist, but that goes badly. Robin thinks adopting was a mistake, but Daniel wants to stick with her. Robin’s pregnant again, and her priorities have changed.

Kathelia gags Robin and ties her to the bed somehow, which is over the line for Robin, who wants to send her back. Also, it looks like she lost the baby.

Kathelia writes down an address for Daniel, which he checks out. He goes inside to talk to the old woman inside, but all the food on the table is rotten. The old woman is weird and has a worm crawling out of her leg. Turns out, the woman is insane and tied to a leash. The husband blames all their troubles on Kathelia and warns Daniel that he’ll find out. His wife got pregnant with something nasty after Kathelia came to live with them. “Get rid of that child any way you can!”

Robin goes to the doctor and shows her the thing that came out of her. The multiple things that came out of her, and they don’t look quite right. The doctor wants her to go to the hospital, but Robin says she’s fine and leaves.

By the time Robin gets home, she’s fat and really pregnant-looking. She kicks down Kathelia’s door and threatens her. Kathelia can’t scream.

Kathelia runs to Fiona’s house; she talks to ghosts and plays with bugs. Then she whacks Kathelia with a hammer, which involves a hospital visit. By the time Daniel gets home, Robin looks ready to deliver and has become completely unhinged.

The doctor calls; Kathelia has “vanishing twin syndrome,” where Kathelia “ate” her own twin in utero. Thanks to Fiona’s attack, they discovered this. The twin got stuck in her frontal lobe, which is why she can’t speak.

At home, Robin looks terrible and immediately gives birth to something nasty. Daniel and Kathelia go to see Fiona, who seems to know things. Lizzie tells Daniel Fiona’s origin story. She knew hitting Kathelia on the head would result in finding the monster in her head.

Things get weird from here.

The whole group goes up to the attic so Fiona can put on a weird raincoat and do a ritual to communicate with the monster. The twin inside Kathelia is trying to use any woman as a door to be born into the world.

The gynecologist comes to the house to talk to Robin about “the baby.” Daniel comes home, and Robin stabs him with scissors a few times. The doctor gets it even more severely. Kathelia hides and finds all of Robin’s previous dead babies. Robin drags Kathelia out to the pool, which appears to have become a gateway to Hell.

Lizzie and Fiona show up out of nowhere and rescue Kathelia, who goes over and beats on Robin’s belly. “It’s not there. She’s just a door,” Fiona explains. Robin then slices Lizzie’s neck and kills her on the spot. When Robin comes after the rest of them with a sledgehammer, they all barricade themselves in the workroom lab.

Fiona tells Kathelia that she needs to dig out the body from her brain or they’re all gonna die. Kathelia looks at the power tools on the wall and chooses a drill. Daniel puts the drill to Kathelia’s scar and lets it rip.

As the fetus gets drilled out of Kathelia’s brain, Robin stops her assault. Suddenly, a deformed little baby crawls out of Kathelia’s otherwise normal-sized head and attacks Daniel. Kathelia picks up the little thing and breaks its neck. Then she drops it in the trash.

Brian’s Commentary

I kept waiting for Kathelia to become Cthulhu, but that didn’t happen.

I’m sure the police will eat up any explanation they offer about the dead doctor, the dead Lizzie, the stab wound, and the drill-headed child.

The ending is pretty cool, but it was a bit of a slog to get there.

Kevin’s Commentary

Being understanding is good up to a point, but this kid went past the point of “time to take her back to the orphanage” early on in the movie. But it wouldn’t have been much of a movie if they had, I suppose.

It didn’t go in the direction that I expected, and I wasn’t expecting that much body horror. Like Brian pointed out, how are they going to explain all this to the police?

I thought the ending was a little too abrupt, but overall I’d say I liked it.

2009 The Hills Run Red

  • Director: Dave Parker

  • Writers: David J. Schow (Screenplay), John Carchietta (Story), John Dombrow (Based on screenplay)

  • Stars: Sophie Monk, Tad Hilgenbrink, Janet Montgomery, Alex Wyndham, William Sadler

  • Runtime: 1 hour, 21 minutes

  • Trailer Link:

Spoiler-Free Judgment Zone

A group of horror fans take a road trip to hunt down the lost film “The Hills Run Red” from 1982. It’s well made, with a decent cast, and good special effects. It takes too long to get to the good stuff though. And while there are some unique aspects, overall it wasn’t anything we haven’t seen before. We give it a weak thumbs up.

Spoilery Synopsis

As credits roll, we watch a young man cut his own face up with scissors. He then covers the mess with an ugly baby mask.

We’re told that in 1982, Wilson Wyler Concannon, an indie director, released his only film, “The Hills Run Red,” which was sadistic and quickly pulled from theaters. It soon became a lost film, nothing left but an intriguing trailer. The director was also never heard from again.

Tyler watches the trailer, and it’s about an ax-wielding murder called “Babyface.” He wants to know why the film was banned– what was so terrible about it? There are no prints, no actors, and no director; everything about the film has disappeared. His friend, Lalo, doesn’t see the attraction.

Tyler has tracked down Alexa, Concannon’s daughter, and he wants to ask her about the movie. Alexa is working as a stripper in a bar. Tyler visits Alexa at “work” while Lalo bangs Tyler’s girlfriend, Serina, at home. Alexa, an addict, takes Tyler home to a skeezy hotel.

Alexa agrees to take them to see the film– no, not really, Tyler kidnaps her, ties her up, and apparently breaks her addiction in a matter of hours. When sobered up, Alexa tells what she knows about the film; she was in it a little, but she hasn’t seen the whole thing.

On the way out to the middle of nowhere, Lalo explains the rules of horror movies, and everyone laughs. As they stop for a pee break, still a hundred miles from their destination, Alexa sees someone in the woods filming them.

They stop at a gas station near Concannon’s old house and talk to people there who actually saw the movie.

They arrive at the woods where Concannon’s house is supposed to be, and they all make jokes about horror movies that take place in the woods. They’re obviously not alone as they hike to the remote cabin.

They find a ribcage in the woods; could some of the murders in the film have been real? Alexa explains that the guy who played Babyface was actually deformed and really wore a mask.

That night, they’re all knocked out and tied up by the crazy locals. Sonny wants to use their film equipment to make a porn film, starring Alexa and Serina. They don’t get very far before someone in the woods kills them. Someone wearing a Babyface mask. Alexa remembers him, and he remembers her as well.

Alexa runs into the woods with Babyface in pursuit. Tyler goes after them, but Lalo and Serina call 911 but don’t know where they are. Lalo tries to hold off the killer, but Babyface has a gun and uses it.

Tyler comes to a farmhouse and goes inside. He finds evidence that he’s been followed since the beginning of the film. He finds Alexa, who reveals that Concannon’s movie is still being shot. Turns out, Alexa and Babyface have been in cahoots all along.

Babyface chases Serina into his smokehouse, where he has all his victims hanging up to be cured. Serina hides in a big tub of blood, but he soon catches her as well.

Tyler wakes up tied to a chair, surrounded by cans and cans of “The Hills Run Red” films that he’s collected over the years. Alexa’s “dead” father, Concannon, comes in, not dead at all. He shows Tyler a film of him killing the original Babyface actor. He found a real method actor to play the new Babyface, Alexa’s and her father’s own son.

Meanwhile, Alexa torments Lalo, while Babyface works on Serina. Concannon gives Tyler a lesson in filmmaking, and Lalo plays the victim. Meanwhile, Concannon and Alexa argue about parenting until he shoots her. This enrages Babyface, her son, who turns on his father/grandfather and stabs him repeatedly as Tyler films it all. Babyface is just about to kill Tyler as well when Serina stabs him in the back.

Alexa, not dead, knocks Tyler back out. He wakes up in a movie theater full of corpses as Alexa starts showing him the actual film. “This is what you came here for. Are you ready?” As he watches the film, Tyler laughs and goes insane…

Brian’s Commentary

By the halfway point, no one had died, and nothing interesting had happened. It did eventually pick up, but it never really got good– it’s just another masked killer in the woods movie. He could have been wearing a hockey mask and nothing needed to have been changed. The whole theme about horror films and filmmaking gives it a little bit of a “Scream” vibe, but only a little.

Kevin’s Commentary

I thought this took too long to get to the good stuff. And then the ending seemed kind of rushed. It’s pretty well made, the cast was fun, the effects were realistic. The movie within a movie aspect made things a little more interesting than typical, but there wasn’t enough new here that we haven’t already seen.

I didn’t hate it, but I didn’t find it very satisfying.

2012 Silent Hill Revelation

  • Director: Michael J. Bassett

  • Writers: Michael J. Bassett

  • Stars: Adelaide Clemens, Sean Bean, Radha Mitchell, Carrie-Anne Moss

  • Runtime: 94 minutes

  • YouTube Trailer:

Spoiler-Free Judgment Zone

Little Sharon from the first movie is all grown up now into a teenager in her 20s and on the run and in hiding with her father. But the pull of Silent Hill is strong, and when dad vanishes she visits the town with a guy pal. It very much had the vibe of walking through a video game. Both of us thought it was on the dull side and lacked entertainment value, especially comparing it to the first one.

Spoilery Synopsis

We open on a woman running through a carnival while being pursued by cultists. The carnival rides are straight out of Hell, powered by the Pyramid-head man. “Do not go to Silent Hill,” warns one of the dead. No– it’s just a nightmare, and Heather wakes up.

Heather asks where her name comes from. She used to be Sharon, and now she’s Heather. Her father used to be Christopher, and now he’s Harry. She’s turning eighteen, and they’ve moved around a lot. She goes off to school, and Harry/Christopher remembers Rose, who’s been missing for so long, trapped in Silent Hill. She warns him that the cultists are still coming for their daughter.

At school, Heather is the new student, along with Vincent, another new kid. Between classes, Heather has a creepy flashback/vision.

Also, there’s a creepy man who seems to be following Heather, and she catches on to that right away, calling her father to meet her. The man chases her to the mall, where he calls her Sharon. He’s Douglas, a P.I. who has been hired to find her– by the cult. He knows about Silent Hill, and they want her back. He explains things to her as a monster attacks their elevator. He doesn’t live long.

Heather meets up with Vincent on the way out of the mall. Harry isn’t answering the phone; something might have gotten him. Vincent talks about his crazy Uncle Leonard, who’s been institutionalized.

Heather gets home and finds “Come to Silent Hill” written in blood on the wall, and her father is nowhere to be found. She and Vincent go through her father’s papers. The police have found Sharon through the P.I.’s papers, and now they suspect her of the murder. They also see the Silent Hill message on the wall.

On the way to Silent Hill, Heather reads to Vincent from her father’s notes on the town, the cult, and everything. The pyramid-head man is Elessa’s guardian and executioner. Alessa was the girl born to the cult to become a receptacle for their god, and she’s also probably Heather/Sharon. Vincent admits that he’s also been born and raised in Silent Hill, and it’s his job to get her to return.

Suddenly, the motel room melts around them and they’re soon attacked again. Heather leaves the motel and finds herself in Silent Hill, where it’s all gray and ashy. She soon runs into Dahilia, Alessa’s mother. The woman explains that the evil Alessa, who was burned alive, put her soul into a newborn orphan, Heather.

Heather then hides in a mannequin factory, and that get weird fast. Meanwhile, the cultists, led by Claudia, reward Vincent for bringing Heather to them; he’s put into the asylum for treatment.

Meanwhile, Heather breaks into the Silent Hill asylum to talk to Leonard, Vincent’s crazy uncle. Leonard says Claudia is corrupted by the darkness. Leonard is glad that the traitor Vincent is here now as well. He identifies half a key, and he has the other half, which he uses.

Elsewhere, a bunch of undead nurses kill Vincent’s guard and hack him to pieces. The nurses seem to be motion-activated, and he just waits until Heather releases him. They walk to a nearby abandoned amusement park.

Heather comes face to face with Elissa, and they don’t care much for one another. They are two halves of the same being, and Heather ends up absorbing her evil part. She walks through the cultists and finds her father.

Claudia shows up, looking all menacing, and monologues to Heather. They want their god to be born through Heather for some reason that even Claudia can’t explain. They want that key that she’s been carrying around to summon the god. The key reveals Claudia’s true form, which then has to fight pyramid-head for some reason. Heather and Vincent, who has just sort of shown up, untie Harry and head to the exit. Claudia loses her head, and Pyramid-head lumbers off alone.

Heather, Harry, and Vincent walk out of Silent Hill, but Harry warns that it’ll start up again soon. Harry wants to stay here and find Rose, who never came home after the first movie.

Heather and Vincent hitch a ride on a truck and leave town. They pass a whole bunch of police cars going into the silent town…

Brian’s Commentary

This starts out completely adding new stuff to the end of the first film so that this one has somewhere to go.

Kit Harrington’s American accent is atrocious, but otherwise, the actors and characters are OK. The creature effects and sets are also pretty good. It was filmed in 3D, and there are a few shots that highlight this, but it’s not excessive.

I assume this is all based on the videogame, as it’s basically Heather going from one weird situation to another with very little reason or story behind any of it. It all looks really cool, but I never really understood most of what was going on.

This was just awful on many levels.

Kevin’s Commentary

I think this one lacks the atmosphere and creepiness of Silent Hill that the first movie had. Heather is on a quest for the sake of questing, or at least that’s how it felt sometimes. Like a video game walkthrough. Which is what it’s based on. The story could be followed, but there were things that just popped up, and we are supposed to go with it without enough explanation.

I’m sure Kit Harington worked hard on his American accent, but it fluctuated noticeably.

I bet I would have enjoyed this one more if I were a fan of the video games. Or maybe not. It wasn’t paced very well and was on the dull side. I thought it was a big step down from the first one.

2004 Godzilla: Final Wars

  • Director: Ryuhei Kitamura

  • Writers: Isao Kiriyama and Wataru Mimura

  • Stars: Masahiro Matsuoka, Rei Kikukawa, Don Frye

  • Runtime: 125 minutes (2 hours, 5 minutes)

  • YouTube Trailer:

Spoiler-Free Judgment Zone

This fiftieth anniversary movie is heavy on science fiction with super weapons, aliens, mutants, and many creatures in addition to Godzilla, and it takes place in 2044. There’s also a lot of hand-to-hand combat and fights that defy physics among humans, aliens, and mutants. This movie has it all. And unlike some of the other sequels, this one takes place in a world where apparently all the events of all the Godzilla movies have taken place. It’s a fun watch with loads of action and a lot crammed into it.

Spoilery Synopsis

We open on Godzilla versus a bunch of tanks. Suddenly, a crazy drill-vehicle bursts out of the mountains at the south pole and starts blasting. There’s an earthquake, and Godzilla falls into a crevasse. The screw-ship drops a mountain into the hole on top of him. Game over, they defeated Godzilla.

We get a report about how mankind has been so busy fighting the atomic monsters that they don’t fight with each other any more. Meanwhile, a new breed of human-mutants develops. They are the Earth Defense Force. Credits roll as we get a montage of all the previous films.

On the ocean floor, the screwship submarine Gotengo battles a giant snake, Manda. They freeze it and then shatter it. Captain Gordon and his ship win the battle, but now he’s facing court-martial.

We cut to two Earth Defense Force mutant-men fighting in an arena at M Organization. Afterward, they are evaluated. Kazama wins, Ozaki loses because he’s too soft and has a heart.

Miyuki, a biologist, is coming from the UN to examine a mummified monster they found. But she’s hot, so Ozaki is more than willing to play bodyguard. It’s some kind of alien cyborg that’s 12,000 years old. It has the same genetic markers as the modern mutants. How are they linked?

The Mothra fairies appear to them and explain that the monster is Gigan, and he destroyed everything 12,000 years ago. Mothra fought it, and the mutants have the same evil in their blood. They warn Ozaki about choosing evil and give him an amulet.

The UN Secretary General’s airplane is destroyed when something big flies by. In New York City, a flying monster attacks the ghetto. It’s Rodan, and he’s very destructive to the skyscrapers. Anguirus and King Caesar have shown up in other cities. Other CGI monsters are appearing all over the world, all at once.

The humans do their best against the monsters, but there are a lot of them. Even Minilla, Baby Godzilla, shows up. Basically, all the Toho monsters show up in one form or another (I don’t even know who some of them are). The mutants lock and load and get on the case, fighting Ebirah, the giant shrimp. They beat it, but then the body vanishes. Likewise, Rodan and Aguirus vanish as well; aliens are abducting the beasts.

The UFO stops right outside the EDF headquarters. An alien beams down– no, it’s the head of the UN; the aliens saved him from the air disaster. He says they’re friendly. The aliens say they come in peace from Planet X. They’re Xilians. They warn that Planet Gorath is on a collision course with Earth in about a year.

The United Nations becomes the Space Nations, and everyone cheers. Not everyone, as the variety shows all have debates about it. Ozaki wonders if the Xillians are related to Gigan somehow. Miyuki notices that the leader of the UN doesn’t blink since his “rescue.” He’s been corrupted by the Xiloans somehow and is no longer human. The EDF leader is also on the wrong side.

Scientists figure out that Planet Gorath is a hologram, and the threat has been a hoax. Ozaki picks out the only man he knows isn’t corrupted: Captain Gordon. Gordon wastes no time exposing the aliens’ true form and killing the head of the UN. The second-command of the Xilians then kills the leader and takes over. He doesn’t want to play nice; humans are just food, and he controls the monsters anyway. It’s now mutants versus aliens, but the mutants can’t resist X’s control and turn against the good guys.

Somehow, this leads into a motorcycle chase through the city between Ozaki and Kazama. Meanwhile, Commander X wakes up Gigan, who immediately goes on a rampage. All the other monsters are released as well.

Minilla and his new human friends see the destruction and escape in a pickup truck. Captain Gordon gets to the Gotenga and talks to the crew about waking up Godzilla. Godzilla doesn’t have the M-Base gene, so the aliens can’t control him.

The Gotengo makes it to the South Pole and wakes up Godzilla, who is not happy. Gigan is there, and the fight commences. One blast of atomic breath, and Gigan loses his head.

Next up is Zilla, the GINA from the 1998 film. He doesn’t last long, and neither does the Sydney Opera House. One stop after another, Godzilla cleans up the South Sea (South CGI?) Islands.

Godzilla makes it to the Tokyo region, and Minilla wants to get closer to him. Godzilla takes on King Caesar, Rodan, and Anguirus all at the same time, and it takes a minute or two: Godzilla is way overpowered here.

Gotenga attacks the alien mothership, and Kazma gets his chance at redemption by flying into the mothership and blows up the reactor in the center which disables the ship’s shields. The Gotenga crew gets captured.

The Mothra fairies finally send Mothra, who kills heads to Tokyo, where Ebirah and the Smog Monster are fighting each other.

Commander X has one more trick up his sleeve. A meteorite from space comes crashing down, and inside it is Monster X, a new baddie. The two seem evenly matched until Mothra shows up to fight the upgraded Gigan. Meanwhile, Command X explains to Ozaki that he’s a Keizer, a superhuman hybrid.

The four monsters continue to fight. Ozaki, now the “Chosen One,” has all kinds of powers to beat the evil Xilians. He fights hand to hand with Commander X. Everyone fights for a long time. After a lot of talk, Ozaki beats the crap out of Commander X, who sets the ship to self-destruct.

Everyone makes their way back to the Gotenga and they work to get out before it’s too late.

Down on the ground, Godzilla and Monster X go at it with atomic breath. Monster X starts to mutate and grows three– uh-oh, he’s really been King Ghidorah all this time. Ghidorah bites Godzilla with all three heads and starts to drain his life force. Only Ozaki can help now. He supercharges the Gotenga with “Infinity Power” and energizes Godzilla again. Godzilla starts ripping heads off, and the battle is soon over.

Godzilla then turns against the Gotenga, and he just doesn’t know when to quit. As he moves in for the kill, Godzilla sees Minilla come running in and pauses. Minilla tells his dad that he’s done enough and they should go home– which they do.

Now it’s time to clean up all the mess. Godzilla and Minilla swim off into the sunset…

Brian’s Commentary

Wow!

This is the 50th anniversary of Godzilla. It’s all very futuristic sci-fi, with flying ships and super submarines– it takes place in 2044, and apparently physics works differently in that year. There’s not much left of Earth after this one.

They really just threw everything into this one. Monsters, mutants, mayhem, and machines all over the place. It is so incredibly over the top that we couldn’t help but laugh a few times. It’s excessively long at more than two hours, but they’ve got a lot to deal with.

This is the last film in the “Millennium Series” and was the last live-action Godzilla film until “Godzilla” (2014), an American release came out. It didn’t do terribly well at the box office, which is weird because it’s got literally everything.

It’s way, way overblown to the point of ridiculousness, but I liked it

Kevin’s Commentary

I think this is the most science fiction loaded of any of the Godzilla movies so far. And there’s definitely some influences from “The Matrix” in the human fights and action scenes.

They fully embraced the CGI in this one, with multiple scenes being entirely CGI. But there are also plenty of practical puppets and guys in rubber suits and little model cities getting stomped and blown up. So much collateral damage in this one.

This was a good time, and I’d recommend it.

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