We’ve got a lot of newer movies this week plus one oldie. We’ll open with “Hokum,” a cool haunted hotel story. “Exit 8” is a weird import that’ll get under your skin. “Chum” and “Iron Lung” take us into two very different oceans. Lastly, we’ll have some fun with “Return of the Living Dead II” from 1988.
All this, as well as the latest issue of “Horror Monthly,” issue #57, for June 2026, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com
Mainstream Films:
2026 Hokum
Directed by: Damian McCarthy
Written by: Damian McCarthy
Stars: Adam Scott, Peter Coonan, David Wilmot
Run Time: 1 Hour, 47 Minutes
Trailer:
Spoiler-Free Judgment Zone
An American writer visits Ireland to scatter his parent’s ashes and do some writing. But there might be ghosts and witchery afoot, and his trip gets more complicated than he expected. Adam Scott does a good job in a dramatic role, and the whole thing is well put together. The script is excellent, and we both thought it was very entertaining.
Spoilery Synopsis
A man in armor wanders across the desert and consults a map. He soon runs out of water but sees a big circle in the sand.
We cut back to a man writing a story about the conquistador in the desert. “They were doomed,” says the story. The writer, Ohm Bauman, gets distracted by someone in his house. A ghost? He considers shooting himself, but decides to go to Ireland instead (is that better?). Credits roll.
Ohm soon arrives at the remote hotel in the woods. A man inside tells the story of a witch to two terrified children. Ohm arrives, and he’s already pretty judgmental of the locals. The old man is the owner of the hotel, and Ohm makes an impression on everyone.
Ohm has a photo of his mother standing next to a big redwood tree, and he tracks down the tree. He pours out his parents’ ashes on the tree. An old man, Jerry, watches and offers him a drink of moonshine. He’s also got some psilocybin-laced milk. They talk about the local goats which have a tendency to climb on cars and mess up the paint.
Fiona, one of the staff, talks about the honeymoon suite, which is supposed to be haunted. The owner, old man Cobb, has locked a witch inside, or so they say. He tells Fiona about his mother, who was shot in the face by someone too young to prosecute. Alby, the bellboy, also believes the story. Ohm says it’s all “Hokum” and gets snarky with the man. Not long after, Fiona finds Ohm hanging from the ceiling, apparently dead from suicide.
Ohm wakes up in an elevator, in black-and-white land. He later wakes up for real in the hospital, after having a vision of his dead mother. When he recovers, he goes back to the hotel, which is about to close for the season. He learns that Fiona has gone missing since his incident– but she’s not the first. Old Jerry, the man with the milk, has also gone missing under suspicious circumstances. Ohm wonders if she might have gotten into the Honeymoon Suite.
On the way out of town, Ohm runs into Jerry in the woods. Jerry admits he killed his sick wife, but he had nothing to do with Fiona’s disappearance. He’s seen her ghost, and he has the key to the suite. The plan is for Jerry to go back after the hotel is closed and empty, but now he invites Ohm to go with him.
The two soon arrive at the hotel, now closed for the season, and go inside. Turns out, Fergal, the manager, is still there and he chokes out Jerry and ties him up. Fergal takes Jerry and drives away.
Ohm, on the other hand, hears the bell ringing for the honeymoon suite. It’s been neglected for a long time. He goes to sleep and dreams about how he shot his own mother. Mal comes in and wakes him up. Mal insists that there’s nothing in the creepy basement elevator shaft. When ohm finds what’s left of Fiona, Mal locks him inside the suite.
We get a flashback to Halloween night and what actually happened to Fiona. Mal drugged her and took her to the honeymoon suite, where he put her in the dumb waiter and left her. She left a recording explaining that she was pregnant by Mal, who wasn’t happy.
Elsewhere, Jerry escapes from Fergal and jumps out of the van.
After trying to get out of the suite, Ohm notices that Fiona’s body is gone. He then watches the best children’s TV show ever. He then figures out how to take the dumb waiter down to the basement. After a quick look around, he finds that he’s trapped down there as well. He sees someone else down there just as the dumb waiter returns him to the suite.
The witch follows him right upstairs, and, as she closes in, he remembers what he’s been told about chalk circles and uses it.
In the morning, Mal returns and finds Jerry trying to get into the honeymoon suite. Mal explains how he drove Ohm to the airport last night. Ohm rings the bell, and Jerry knows he’s there. Jerry heads up to the honeymoon suite to free Ohm while Mal sets up a fire to start before heading to the honeymoon suite himself with his crossbow. He kills Jerry and intends to lock Ohm in again but also gets locked in himself.
Ohm goes back down to the basement, taking the key with him. Mak gets ready to follow him. The witch makes another appearance, but this time, Ohm knows how to protect himself and starts to draw a chalk circle, but the witch is right behind him and grabs him before he can complete it. Mal comes down and finds the key among the witch’s souvenirs, and she gets him too. Ohm talks to the ghost of his mother and makes peace with her. Ohm gets out; Mal does not.
Ohm goes down to the main floor in the elevator and finds the whole place ablaze. He passes out, but Fergal comes in and finds him.
Some time later, Ohm works on his book in the hospital when Alby comes for a visit. He explains that they found Fiona and Jerry’s bodies, but not Mal’s. Alby admits he spikes Ohm’s whisky with Jerry’s mushroom milk. Was anything he experienced real?
He finishes his book, this time giving it the happy ending that Fiona wanted.
Brian’s Commentary
There’s gotta be a better way to break a glass bottle. What was with the goats? The business with Ohm’s mother’s death seems a little tacked on, and I didn’t have much to do with the main plot.
It’s a really well-done haunted house story mixed with a murder mystery, and most of it makes sense.
Overall, I liked it.
Kevin’s Commentary
It was strange seeing Adam Scott in such a grim and serious role after seeing him in so much comedy, but he does a really good job with it. He’s been in other horror films, such as “Krampus” and “The Monkey,” but those had a thread of humor. This movie does not.
I liked the script. The elements of bad people doing bad things in tandem with supernatural forces.
It was a winner!
2025 Exit 8
Directed by: Genki Kawamura
Written by: Kotake Create, Kentaro Hirase, Genki Kawamura
Stars: Kazunari Ninomiya, Yamato Kochi, Naru Asanuma
Run Time: 1 Hour, 35 Minutes
Trailer:
Spoiler-Free Judgment Zone
A man becomes trapped in an endless subway station and has to complete a mission to escape. Kind of like a video game, which this movie is based on. We are both in agreement that it’s a cool idea and very well made. We are split opinion though, with Brian finding it too repetitious, and Kevin finding it just about right.
Spoilery Synopsis
A man scrolls through his phone on a crowded train. A businessman yells at a crying baby, which is sure to help. It’s all pretty unpleasant, so he cranks up the music in his earbuds. The man’s girlfriend calls and asks where he is. She’s pregnant and wants him to come to the hospital. Our guy starts coughing uncontrollably and uses his inhaler.
He’s in the subway tunnels, so his cell signal isn’t very good. He approaches Exit 8, the way out. Suddenly, he’s alone; all the people are gone. He passes one man walking– twice. Did he just walk in a circle? No, he’s very clearly not going in a circle, and then he passes that man again. About the fifth time passing, the strange man stops and smiles maniacally. It soon becomes clear that something weird is going on.
The Lost Man
The Lost Man notices a poster for an “Escher exhibition,” with one of those famous impossible loops on it. Suddenly, the poster drips blood. He finds a sign about finding anomalies and turning back. “Do not overlook any anomalies.”
The man starts taking photos of everything to compare for anomalies, but the photos in the phone get corrupted. The smiling man, however, clearly isn’t normal. He passes the sign for Exit 1 and then Exit 2, so he must be doing it right. He passes the photo booth and lockers we’ve seen before, but this time, he hears a baby crying inside one of the lockers. No– all the lockers have babies, which could indicate an anomaly.
He spots the eyes of people in posters following him, and then makes it to Exit 4 and then 5. Progress! His girlfriend calls again, wanting to know where he is. He tells her he can’t get out, walking in circles, and she laughs at him. She can’t decide what to do about the baby, after all, the two broke up not long ago. He doesn’t see her right there in the tunnel with him, and he’s now back at Exit 0, needing to start all over again. He finds a little boy in the tunnel, but he might not be an anomaly.
The Walking Man
We cut to the Walking Man’s point of view, and he’s lost as well. He’s made it up to Exit 4. He also counts the posters, lockers, and photo booth. He, however, passes a girl in the hallway and walks with the little boy. The girl asks to join them on their search for the way out. She wonders if they’re dead and in Hell. She gets creepy fast, He turns back and hits Exit 6. He misses a weird doorknob and goes back to zero.
No– he sees the stairway to Exit 8 and runs to it. The little boy with him refuses to go up there. The man runs up the stairs, and the little boy goes back into the maze. He then runs into the Lost Man, and we’ve seen this part before.
The Boy
The boy follows the lost man through the maze of tunnels. This time the man notices the odd doorknob and turns back. Then he sees some real horror weirdness and freaks out. The boy sees his mother, but it’s also the Lost Man’s pregnant girlfriend.
They’ve made it up to 5 and this time one of the side doors is open. They look inside and the lost man sees himself in the distance from earlier when he was riding the subway listening to music. That’s an obvious anomaly, so they turn back and they’ve made it to 6.
Suddenly, the Silent Hill siren goes off. The tunnel violently fills with water. And then the lost man is on the beach with his girl and the boy, who is their boy. She talks about deciding the right thing to do. Then he and the boy are back in the tunnel, and the lost man saves him by putting him up on top of the ceiling sign before he is swept away himself. The boy wakes on the floor in the corridor now filled with what looks like the aftermath of a tidal wave. He goes back, and he has made it to 7. He goes forward through his 8th, and the lost man comes through a moment later for his 8th pass - no anomalies. And he comes to the stairs down for exit 8.
Eventually, he finds the exit, and he’s back in the normal subway. He buys a water from the vending machine, puts his earbuds back in, and calls his girlfriend. She’s still at the hospital and asks “What are we going to do?” He gets on the train, and we see the same routine as in the opening sequence with the man screaming at the baby. Our guy, who was ashamed at not intervening the first time, still does nothing– or does he? Will it all be different this time?
Brian’s Commentary
This one is all about paying attention to the visual cues and trying to find the anomalies before the characters do. But oh boy, did that middle section drag and drag and drag.
It was a very cool concept, and it was very well produced, but it was a bit too repetitive, which, unfortunately, was the entire point of the film.
Kevin’s Commentary
Some of the anomalies are obvious and some are pretty subtle. If the maze really wanted to be a jerk about it, something super subtle like the number of rows of tiles could change.
I thought it was great. I didn’t find it too repetitious like Brian and some reviewers have. I thought it was just about right. It was a good time, and I’d recommend it.
2026 Chum
Directed by: Jonathan Zuck
Written by: Dick Grunert, Ryan R Johnson, James Kondelik
Stars: Alice Eve, Eric Michael Cole, Jim Klock
Run Time: 1 Hour, 27 Minutes
Trailer:
Spoiler-Free Judgment Zone
A newlywed couple, and some friends, on a yacht excursion encounter the double whammy of a psycho guy and a psycho shark who make their trip the worst ever. Flaky people doing clumsy things and making bad decisions accelerate the chaos. It’s not the worst shark movie, or the worst CGI, that we’ve seen, but it’s not a great film. It’s stupid, but at least it wasn’t dull and had some entertainment value.
Spoilery Synopsis
We get a very ominous voiceover about a woman going missing in the sea. After that, we cut to a woman swimming in the ocean. We get an underwater view of something under there near her. Chomp– one bite! Her husband jumps in after her, and that goes badly too. Credits roll as we hear about global warming changing predator’s hunting habits.
We open on Tina’s wedding, and her father gives a speech about her and Tom. We soon see that the happy couple doesn’t really like each other very much. The next morning, the groom wakes up out on the beach, with her back in the room. Everyone is happy for the couple– except for the couple.
Tom’s friend Rick rents a boat for the wedding party. Tina hates the ocean, and can’t swim. Tom doesn’t really feel it either. Still, it’s a three-hour tour , and Rick paid a lot for it. They all get on the boat, peer pressure and all. The captain explains that there’s never been a shark attack in these waters, and then they set sail.
Tina admits to her friends that she’s getting an annulment. Tom’s a heavy-duty environmentalist, and she’s a lawyer for the big corporations. This has broken up their romance. Tina’s sister says he’s always been too high-and-mighty for her. During all this, we see a huge fin following the boat. The boat hits “something” and both the anchor and the captain go overboard. He soon comes up, but then a shark bites his leg off.
Through a series of rapid bad decisions, Tina goes overboard, Tom dives in after her, and the boat catches fire. A fishing boat arrives on the scene and pulls Tom and Tina out of the water. The four people on the burning boat swim over to the fishing boat before their boat explodes. The shark finishes off the captain.
The fishing boat captain says there’s a storm coming, so he can’t take them back to their resort. Everyone thinks there’s something “off” with this new guy, Roy. He serves them food, and they’re mostly all condescending toward him. He’ll go south, and says there’s a port there.
Tom and Tina explore their feelings. Roy picks up on it and talks to Tina, giving her a pep talk. Roy says it’ll take a few hours to get them to port, but they stopped seeing the shore a while ago. Suddenly, everyone passes out; Roy drugged them all. “Get some rest. Tomorrow’s gonna be a long day.”
When they all wake up, Brittany is tied up in a shark cage as Roy prepares to lower her into the water. He cuts her and drops her in… as bait. The CGI shark rapidly approaches. Roy shoots at the shark when it gets close. Brittany gets out of the cage, and this time, the shark gets her.
Roy explains that he wants revenge on the shark. That was his wife in the opening sequence. He’s been using homeless people as bait, but now he’s got a bunch of stranded tourists.
Suddenly, a police siren approaches, and a tiny little boat with two cops, out looking for their missing boat. When they see Brittany’s arm floating past, the jig is up, and there’s a shootout. Both cops wind up as shark food, and Rick gets shot as well. Tom also gets knocked out and thrown overboard.
Rashinda jumps overboard to swim to the police boat, but Roy runs her over with his boat– the propellers chew her up better than the shark.
Way out in the ocean, Tom wakes up, not drowned or eaten. He starts making his way over to the police boat. He uses their radio to call the police.
Everyone gets untied and fights back all at once. Out of nowhere, the shark leaps up onto the boat and eats Rick. Soon after, Roy lowers Tina into the ocean in the shark cage. The rope holding the cage breaks, and the cage sinks to the bottom and opens right up. Since she can’t swim, she soon drowns. Out of nowhere, Tom shows up in scuba equipment and rescues her. When the shark comes after Tom, Tina grabs a knife, jumps on its back (like a bucking bronco ride that was mentioned earlier) and stabs it repeatedly.
Tom, Tina, and Tina’s sister sneak back onto Roy’s boat and cover him in chum. He gets the drop on them until Tina shoots him with an air tank. “Come on, finish him!” they yell at the shark. The shark does his part. CHOMP! CRUNCH CRUNCH.
Eventually, the boat police show up. We watch Roy’s stripped skull landing next to his wife’s stripped skull at the bottom of the ocean.
On the news, Tina is now talking against the corporations; she’s on Tom’s side now.
Brian’s Commentary
The CGI isn’t atrocious, but it is pretty obvious. The sequence of nonsense that led to the first boat’s demise was so contrived that it’s ridiculous. The growling and bone-crunching noises when the shark eats someone is a nice touch.
It’s very similar to last year’s “Dangerous Animals” only with a larger cast of idiots. Except it’s really, really stupid.
Kevin’s Commentary
Roy said that he’s been tracking this one particular shark because he tagged it. He had tagging stuff along with him on their honeymoon in that opening scene? But that’s the only real point to nitpick in this movie, everything else is spot on.
We like sharks that growl and make bone crunching juicy noises when they attack people.
It wasn’t truly awful all things considered. It’s a really stupid movie, but I’m going to give it a moderate thumbs up.
2026 Iron Lung
Directed by: Mark Fischbach
Written by: Mark Fischbach, David Szymanski
Stars: Mark Fischbach, Caroline Kaplan, Troy Bake
Run Time: 2 Hours, 5 Minutes
Trailer:
Spoiler-Free Judgment Zone
In a far future where “The Quiet Rapture” is making stars and space stations and populated planets vanish, a convict is sent to explore a moon covered with a vast ocean of blood in a clunky submarine in the hopes of finding something to help mankind survive.
For it being two hours plus of mostly just a guy in a room, a lot goes on. The acting, story, and effects are great. It’s that two hours plus that we both thought was its only real fault. It’s on the long side.
Spoilery Synopsis
We’re told about the end of civilization and that they might be able to survive on a planet’s moons. One moon seems special since it has an ocean of blood; maybe there’s life there. We see a man wearing a cloak in what appears to be a submarine. He’s a convict, and this is some kind of redemption mission. “You did test this thing right?” “This is the test,” the radio explains. All they have are surface scans, and they don’t know what they’re going to find under the surface.
He descends to the maximum depth and then stops. The radio cuts out, leaving him on his own. He figures out the camera and finds a map. He figures out how to make the sub move and gets going as credits roll.
He’s not sure, but it looks like there are living creatures swimming around outside his ship. He also hears things out there. Yes, the thing outside is attacking the sub, and he gets knocked all over the place.
He gets on the radio and reports seeing a skeleton on the bottom. The people on the surface get really excited and they bring him back up. He’s welded inside the thing, so they don’t have time to switch him out for another pilot. The captain explains that this is really important and that he really has no choice. They’re changing his deal.
He turns on the camera, which blasts all the people outside with radiation– it’s an x-ray camera since you can’t see through blood, but he didn’t know that because they didn’t tell him. They send him back down. There’s someone new on the radio now; the others had to get radiation treatments.
The prisoner sees someone inside with him, but that might only be a hallucination. He finds a note: “Cross the wires.” When he does, a computer activates, and he learns about a previous mission where the pilot died. He takes more pictures, and that skeleton from earlier is gone now. The captain gets back on the radio and says again that he’s the first one they’ve sent down. They argue over whether or not humanity is done for.
He finds the skeleton again, and this time, they want him to grab a sample. He needs to ram the skeleton with the ship, and it’ll grab a piece of it. They start to bring him back up, but something grabs the ship.
When he wakes up, the power is mostly off, but he finds a light and learns that the sub has a basement level. He finds the dynamo and gets the power back on. He explores a bit, but then there’s a hull breach and he gets blood from outside splattered on himself. Oh, and there’s a fire as well.
Once he gets all that under control, he starts mapping the ocean floor and goes through a cave. He sees more of those big living creatures outside and finds another submarine. Somehow, he makes radio contact with the people on that sub. Ava, on the other ship, says the light was what caused the Quiet Rapture and the end of the universe. They might have some answers as to why that happened.
There’s a lot of talking but then Simon notices the speaker has been unplugged the whole time. Are the aliens talking to him? He gets a weird bloody vision.
The captain calls him back again, and suddenly, the speaker is plugged in again. She says it’s been days and he should have run out of oxygen long again. She says they aren’t going to bring him back up– they just want to observe now. When she learns that he found the missing SM-8 sub, they get really interested. “If you want it, you have to get me out!” She promises to get in another sub and meet him in 30 minutes. It sounds really important– all of humanity will be saved.
Simon returns to the dead sub and starts the process to recover the other ship’s “black box.” He’s running out of oxygen and has a hard time functioning. The voice on the recording says the oceans are actually made of blood– human blood at that. So maybe that’s where everyone has been disappearing to.
As Ava approaches, he hears her, but he also hears the alien voice, and they contradict each other. The crawlspace under the sub is slowly filling with blood, but Simon has to go down there and retrieve his own black box. He ties it to the life preserver he found, but by this point, the entirety of the ship is covered in blood and growing gross things all over. Simon himself starts growing into the ship.
The ship is destroyed. The black box, however, is recovered.
Brian’s Commentary
I was not aware going in that this was based on a video game; I’ve not heard about that one. I’d recommend subtitles for this one, as the voices on the radio are very garbled and often hard to understand.
It’s a really good concept, with good acting from the start, and the set is perfect for the story. It’s just too long though. The last half hour is really hard to understand what’s going on. There’s just too much here that’s not explained (maybe it’s in the videogame?).
The first hour and half is good, but the last part was incomprehensible.
Kevin’s Commentary
I was glad of the subtitles. The radio voices tend to be garbled and Simon mumbles a lot with echoey acoustics in the sub.
I can see how they set the record for most fake blood used in a movie production.
Mark Fischbach is great in the role, the story is good, the setting and effects are very cool. I liked everything about it except the length, I thought it could have been tightened up timewise.
1988 Return of the Living Dead II
Directed by: Ken Wiederhorn
Written by: Ken Wiederhorn
Stars: James Karen, Thom Mathews, Michael Kenworthy
Run Time: 1 Hour, 29 minutes
Trailer:
Spoiler-Free Judgment Zone
Once again, a barrel of Trioxin ends up where it shouldn’t be and is opened by a clueless couple of guys. Since it’s right next to a cemetery, hilarity ensues as the living dead return again to terrorize a community. It’s pretty entertaining, but less so than the first one. If you loved the original and wish you could see it almost the same again but not quite as good or funny, this is for you.
Spoilery Synopsis
We’re told about the army’s experiments with Trioxin, which didn’t work out. It has since all been destroyed— or so they claim. We cut to a truck full of the stuff, driving through the rain. The truck driver is having a much better time than he should, and some canisters fall off the truck into the river.
Some annoying children go to the cemetery to hang out. This leads to a foot chase, and one kid hiding in a storm drain, where the canister is. They open it up, because of course they do, and inside, they see a face. They run and lock Jesse into a mausoleum.
Ed, Joey, and Joey’s girlfriend Brenda arrive at the same cemetery. Ed’s a bit of a graverobber. They open the crypt that little Jesse’s been locked into.
The canister bursts open, and the other two kids breathe in the gas, which quickly spreads throughout the cemetery. It then rains and soaks all the gas into the ground.
Jesse’s sister, Lucy lets in Tom, the cable guy, and Jesse sneaks outside. He goes over to Billy’s house, and Billy is really sick after breathing the gas. Jesse goes back to the canister and finds it empty now. He writes down the army’s phone number from the can and sees the “Tar Man” there. “Brains” yells the monster, and Jesse runs away. He soon spots the dead rising out of their graves. We then get a musical montage of zombies.
Ed and Joey take a break from head hunting to have a sandwich. Brenda gets tired of waiting and comes looking for them. All three of them soon figure out that they’re in trouble. They steal Tom the cable guy’s truck and make a run for it, but Joey’s an awful driver and knocks out the phone lines.
Back at home, Jesse calls the army’s phone number and reports the canister. The colonel comes to the phone just as Jesse loses phone service. Meanwhile, Billy’s dad gets his brain eaten. Everyone piles into Jesse’s house, much to Lucy’s surprise. The head in Ed’s bag starts moving, and now they all know what’s happening. There’s a lot of screaming.
Tom fights one of the dead and accidentally turns on Lucy’s Jazzercise video, which the dead find entertaining.
The group heads to the neighbor’s house for a car, and the doctor lets them use it. There are some automotive hijinks, as Ed fights a disembodied hand. There’s a lot more screaming until the group arrives at the local hospital. The doctor looks at Joey and Ed, but they aren’t looking good. The doctor thinks they’re already dead.
Tom, Lucy, and Jesse drive into town to the police station, but it’s locked up; the zombies are already here. They break into a house and grab some guns.
Brenda loads Joey and Ed into a car and drives off. She runs into the army, which has arrived. Ed and Joey go full zombie and eat Brenda’s brain.
The rest of the cast convenes at the meat packing plant and loads up with animal brains. They then drive through town, leading the dead behind them pied-piper-style. They stop at the electric generator plant and Tom the cable guy rewires the city’s power grid as an electrical trap.
Billy’s been a zombie the whole time, and now he’s with the others, but he’s got an axe to grind with Jesse. Jesse, on the other hand, has a screwdriver and isn’t afraid to use it. Jesse throws the switch, turns the power back on, and fries all the zombies outside.
The army comes in and burns what’s left of the zombies. Tom, Lucy, Jesse, and the Doc all walk off– they’re going to have to explain this all in the morning.
Brian’s Commentary
The original “Return of the Living Dead” (1985) is a huge classic of horror comedies. James Karen, one of the stars of that film, reappears here as Ed, not the same character, and Thom Matthews is back as his sidekick. “It’s almost like we’ve been here before,” Joey jokes at one point.
The dialogue is very 80s, but it works here. The creature effects are really good, with some being makeup and some animatronic.
It’s entertaining, but definitely a step down from the original.
Kevin’s Commentary
Someone thought it would be hilarious to have Thom Matthews and James Karen return as basically the same characters with different names in different jobs, which did help the movie, I think.
The effects are excellent and there are some laughs, but the originality is low. It didn’t do it for me like the first movie did, but it’s okay.
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