Only one new film this week, a documentary about an old musical that you may have heard of: “Strange Journey: The Story of Rocky Horror” came to streaming this week. Of course, we had to watch the original 1975 film as well.
To offset all that fun, we had to watch 2007's “The Mist” to calm down. “Catnado” and “Wishmaster 2” both had us eager to Do the Time Warp Again.
All this, as well as the latest issue of “Horror Monthly,” issue #57, for June 2026, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com
Mainstream Films:
1975 The Rocky Horror Picture Show
Directed by: Jim Sherman
Written by: Richard O’Brien, Jim Sherman
Stars: Tim Curry, Susan Sarandon, Barry Bostwick
Run Time: 1 Hour, 40 Minutes
Trailer:
Spoiler-Free Judgment Zone
IMDB.com has a good succinct description. “A rain-soaked couple takes refuge in the castle of a transvestite mad scientist from outer space who is about to unveil his greatest creation.” They neglect to mention that it’s also a musical, and it’s got some songs in it. It was originally a stage musical titled “The Rocky Horror Show” which premiered in 1973 with Tim Curry and the same trio playing the servants and Jonathan Adams (now Dr. Scott) as the Narrator/Criminologist. It’s weird and funny, with very catchy songs. We’d recommend it.
Spoilery Synopsis
A giant mouth comes on screen and sings about sci-fi movies as credits roll.
We cut to a wedding, as the happy couple leaves with rice and a cheering crowd. We get a quick look at Tim Curry in the background in a second role as the preacher. Plus Richard O’Brien and Patricia Quinn as church custodians (American Gothic custodians, at that!). And is that Nell Campbell as a third custodian?
Best man Brad congratulates the groom, and then his girlfriend Janet catches the bouquet, so he may be next. Brad and Janet talk about their future, which leads Brad to sing to Janet, dammit. He wants to go tell his old teacher about their impending engagement.
But first, we cut to a criminologist who introduces the case of Brad and Janet. He’s going to narrate the story for us.
The young couple’s car breaks down on the road, and they have to walk to the nearby castle for help. They sing on the walk there. A strange hunchback man opens the door and reluctantly invites them in. There’s a party going on, and the two servants lead them to the party, where they all do the Time Warp (again). The criminologist enjoys that a little too much, but it’s more than Janet can handle.
Their host, Dr Frank-N-Furter, makes an appearance, and he’s really something; something Brad and Janet have never seen before, at least. He explains in song how he’s a transvestite from Transexual Transylvania. He invites them up to visit his laboratory upstairs, where he’s got a whole audience awaiting to see his newest project.
Yes, Dr. Frank-N-Furter has a whole Frankenstein setup, and he knows how to use it. Soon, the creature starts to move. He’s Rocky, and he’s here to sing another song. Dr. Frank-N-Furter clearly put some time into assembling this body. Frank is smitten with his creation, and he has to sing about that as well.
Suddenly, a motorcycle breaks through the wall, and Eddie, a biker, breaks through and interrupts with a rock and roll number that has everyone dancing. Frank is not amused that he’s lost control of the event. Eddie was one of Frank’s previous experiments, and he’s lost half his mind to Rocky. Frank grabs a pick and kills him dead, ending the song. Then he sings and dances his way to the honeymoon suite with Rocky.
The party breaks up, and Brad and Janet go to separate rooms, both watched by Riff-Raff and Magenta through the closed-circuit TVs. Frank visits Janet, who protests her innocence, but Frank’s all into that. She doesn’t protest all that much, though. Meanwhile, Riff Raff torments the monster because that’s what Frankenstein’s henchmen do, and Rocky escapes. Frank then visits Brad in the same way as Janet, and it has almost exactly the same result.
Guilt-ridden Janet makes her way to the lab, sees Brad and Frank on the monitor, then finds Rocky hiding there. She sings her feelings to him; she’s got an itch to scratch, and she wants him to touch her, which he does, as Columbia and Magenta watch on the monitor from their room.
Dr Everett Scott arrives at the front door, and he’s Brad’s old high school science teacher— and an expert on UFOs. Frank thinks this is all a conspiracy to spy on his work. Scott says he’s here looking for his nephew, Eddie.
They all stop and have a very awkward dinner. Dr Scott sings about Eddie. Eddie sent him a note begging for a rescue, but it’s too late for that. Frank then makes it clear what happened to Eddie. Janet flees with Frank chasing and singing, and everyone makes their way to the lab again, where Frank petrifies Brad, Janet, and Dr. Scott into statues.
All the action stops as Columbia yells at Frank about his behavior. He statues her too and Rocky for good measure. Riff Raff and Magenta argue briefly with Frank and then give each other sneaky looks. They’re up to something.
Meanwhile, Frank has moved all the statues to a stage and releases them one at a time for a burlesque confession dance show. Which morphs into a pool orgy with Frank in the lead. And suddenly they are in a rocking chorus line song and dance. It gets just a little weird at this point.
Riff Raff and Magenta break into the room, and they look different now. They’re definitely aliens, and they’ve revealed themselves. They’ve had enough of Frank’s extremes and are ready to go home to Transylvania, but first, Frank sings to explain himself and rejoice that he’s going home. But when he’s done, Riff Raff admits that only he and Magenta are going home, and he’s got a laser capable of emitting a beam of pure antimatter. Columbia is killed. And Frank tries to climb the curtain to get away unsuccessfully. Rocky freaks out at Frank’s death, but Riff Raff’s beam doesn’t work on him with just one shot. He finally dies when he falls from the RKO radio tower that he tried climbing with Frank’s body.
As Janet, Brad, and Scott leave, the whole castle blasts off into space. The criminologist comes back to the scene and concludes the story. One final song plays over the closing credits, as well as an instrumental reprise of The Time Warp.
Brian’s Commentary
Most of the cast were pretty inexperienced at screen acting, but all of them went on to long careers (most are still alive fifty years later). This is all pretty tame by today’s standards, but this was way out there in ‘75.
The main thing here is, of course, the very catchy songs, and the soundtrack is one of the best ever.
This was actually only my second time watching it. I don’t know that I’d want to watch it every weekend, as some do, but it’s pretty darned good.
Kevin’s Commentary
It was, and still is to a lesser degree, a thing to go see the movie at the theater, preferably at Midnight, and participate with lines echoing and mocking the dialogue, use props (such as throwing rice during the wedding), interact with the screen, dance to the Time Warp, and there would often be a cast of fans (known as The Floor Show) acting out the movie in sync down in front and in the aisles - often in costume and makeup.
In the late 1980s, I saw this 150 some times at midnight showings. I even played Frank-N-Furter, Janet, and the Criminologist a few times in The Floor Show when they were short on people and needed bodies. And of course, I joined in dancing the Time Warp every time.
It took a lot of self-control watching this with Brian and not bombing him with the audience participation lines.
I’ve also seen several productions done on stage, and they don’t always get the element of Frank being both trans and someone who could kick serious ass if he wanted to, which Tim Curry does have in the movie version.
I watch this through a filter of nostalgia, and I still find it really entertaining and fun.
2026 Strange Journey: The Story of Rocky Horror
Directed by: Linus O’Brien
Written by: Avner Shiloah
Stars: Tim Curry, Susan Sarandon, Richard O’Brien
Run Time: 1 Hour, 29 Minutes
Trailer:
Spoiler-Free Judgment Zone
There’s not a story to spoil. This is a documentary about how the play and movie came to be, interviewing actor writer musician Richard O’Brien and his past, and much about the people involved with Rocky Horror. It’s loaded with interviews and vintage footage and stills. Clearly the folks in this had a good time back in the day, and in the making of this documentary. It’s really well put together and a lot of fun to watch.
Spoilery Synopsis
We open on Richard O’Brien in New Zealand, talking about his “historic house.” We see a statue of Riff Raff in front of a museum. O’Brien then talks about his life as a barber. We then cut to scenes from the movie and views of the crowds as credits roll.
We hear from a guy who talks about being gay and learning about the show; he often participated in the live show. He eventually became a drag actor.
O’Brien talks about his early career and Method Acting. He’d been in several major parts in musical theater and then became a father to Linus, this film’s director. He eventually decided to write his own musical, and he sings “Science Fiction Double Feature” for us live. He wrote most of the play in a hurry because time was so limited.
We hear from the costume designer next; most people turned down the job. Tim Curry and Nell Campbell explain how they got involved. They all talk about opening night at the theater, and the tickets sold out very quickly— a huge hit. O’Brien then talks about his sexuality in the younger days and how that went in the 50s and 60s— that just didn’t fly. His wife at the time didn’t approve, but his kid was fine with it.
We then shift to the initial production of the movie version of the play. They brought in many of the cast and crew from the London play, which was unusual for a film. It wasn’t taken over by the Hollywood crowd; the small theater group basically did the whole thing for a budget of about a million dollars. Barry Bostwick and Susan Sarandon came in at this point as outsiders, just like their characters. The producer explains that a lot of the low-budget, cheap-looking special effects were actually intended to be cheesy, and he often told the effects people to tone it down and make it look goofier.
Jack Black tells us about seeing the film when he was nine years old and what an influence Meat Loaf had on him. Peter Hinwood, as Rocky, wasn’t an actor, but hired for his muscle.
Linus reads fan letters to his father, and it’s clear that the movie changed some people’s lives.
After three years in London and Hollywood, the play moved to Broadway, but the critics and New Yorkers hated it. It soon closed. The film was released, and it was a flop as well. They eventually landed the idea of showing the film at midnight in theaters, and that brought in a whole new audience. It was a surprise hit. People kept going to see it over and over, every week, which surprised everyone.
We move on to talk about the film’s audience and how they dressed up, brought props, and acted out scenes. The whole concept of a “shadow cast” was a new thing. The dressing up, cross-dressing, and message of sexual freedom was an outlet for young, queer people through the 70s, 80s, and onwards.
As the film winds down, we’re told that the Rocky Horror Picture Show is the longest-running theatrical release in history.
Brian’s Commentary
It’s surprising that so many of the people involved are still alive, but they’re all looking good and eager to talk about their work. The stories are interesting and relevant, and it’s clear that they all owe a lot to the play and movie.
I’m a relative newcomer to Rocky, but I liked it a lot, and this film helps explain the appeal and history of the whole phenomenon. It was definitely worth watching.
Kevin’s Commentary
This was very cool. I’d never seen this much of the history of Rocky Horror, and I didn’t know that much about Richard O’Brien. I’m glad this was made at this time when almost all the main folks were still available to interview.
2007 The Mist
Directed by: Frank Darabont
Written by: Frank Darabont
Stars: Thomas Jane, Marcia Gay Harden, Laurie Holden
Run Time: 2 Hours, 6 Minutes
Trailer:
Spoiler-Free Judgment Zone
In a small Maine town, people are trapped in a supermarket after a strange mist envelopes the town. There just might be creatures in the mist, too. There’s a strong cast with a lot of recognizable faces, a suspenseful story with action, and decent special effects. It’s on the long side, but it moves well. It’s one of the better Stephen King adaptations, and we both thought it was very entertaining.
Spoilery Synopsis
We open on David Drayton, who appears to be Stephen King’s personal artist. There’s a weird storm, and the family heads down to the basement just before a tree falls on the house. In the morning, they assess the damage and notice there’s a strange mist coming down off the mountain.
The next-door neighbor Brent, has a bunch of damage as well. The two, along with little Billy, pass a bunch of military trucks on the way into town. Rumor has it that there’s a crashed alien saucer up the military base on the mountain.
The three head into the local grocery store, which is packed and without power. While there, we meet some of the town’s quirkier characters. They notice a lot of army people in town this morning for some reason.
Suddenly, the tornado siren goes off. Dan Miller runs in, covered in blood, yelling “There’s something in the mist!” The fog rolls into town, and they all hear people screaming out there. Then there’s an earthquake, and everyone in the crowded store knows they’re in big trouble.
Everyone has somewhere else they’d rather be, but one woman left kids home alone and insists on leaving. The mist is so dense that they don’t know what happened to her. Billy goes into shock from the fear. Old Irene introduces Amanda, the new teacher in town. Mr. Carmody says it’s Judgment Day for all the sinners.
David goes into the back room and something outside really wants in through the loading dock door. David immediately comes to the conclusion that there’s a monster outside, but the others are skeptical. Norm crawls out under the door into the mist to unclog the ventilator for the generator, but something with a huge tentacle grabs him, and it’s quite a violent scene.
David, Ollie, Myron, and Jim watch Norm die and wonder how they’re going to keep the monsters out of that giant plate-glass window in the front of the store. They tell Norton about the situation, and he thinks it’s a prank.
David explains the monsters in the mist to the gathered crowd, but it’s a hard sell. Bud the store manager, goes back to see the mess from the attack, and now he’s a believer. Everyone gets to work reinforcing the windows. Mrs. Carmody prays hard, wondering if everyone in the store is a sinner; she’s not very nice.
Norton and Carmody have their own views about what’s going on, and the bring a bunch of dissent to the crowd. Amanda contributes a gun to the cause.
Norton and some of the group decide that enough is enough and leave the store. They tie a rope to big biker dude and he goes out with them; what they pull back in is just a bloody mess. Now, no one is doubting.
Night falls, and the lights inside attracts some bugs. Big bugs. Carmody goes on about locusts. Then come little dragon-looking things to eat the bugs. Soon, the windows break and things start coming in for the lights. Sally gets bitten by a bug and quickly dies, as do many others. There’s quite a battle, and there are more deaths throughout the night.
David points out that it’s just a matter of time until Carmody turns the locals against them and do a human sacrifice or something. It doesn’t take very long until that happens.
A group decides to go next door to the pharmacy to get some painkillers for the wounded. The doors on the pharmacy are wide open, so anything could have gotten in.There’s a spider web and human carcasses in it, including one army guy who’s only mostly dead and says that it’s all their fault. Things escalate very quickly, and we lose a few more characters.
Carmody continues preaching to the crowd all day. David, Ollie, Irene, Amanda, and some of the others still want to leave. David and the last remaining soldier talk about “The Arrowhead Project” up at the army base. He admits he heard stuff about a doorway to other dimensions to see what was on the other side. The creatures probably came from another world.
Goaded by Carmody, the crowd attacks the soldier and throws him outside, where something really big gets him.
David’s group is ready to leave, but now Carmody forbids it— and her followers are ready to enforce what she says. At least until Ollie shoots her, and her followers scatter like rats. The group makes a run for the car, but there are more deaths on the way.
David, Billy, Amanda, Dan, and Irene make it to the car, but the others are killed by things. They start the car and slowly drive out of the store’s lot. They drive and drive, and everyone they pass is dead. David’s house is covered in spider webs, so his wife has to be dead.
They head out of town, and they don’t see anything better. They spot one creature that’s just about mountain-sized; it doesn’t even notice them. Everyone gets more and more depressed, and they eventually run out of gas.
Without any hope of rescue, David offers to kill them all, and the others agree. He uses the gun to kill his four companions, but then he doesn’t have a bullet for himself. He tries, but four bullets is four bullets. He gets out the car, planning to be eaten, but then he hears engines,
Turns out, the army, with tanks and heavy weapons, were right behind them, along with a truckload of survivors. The army is fighting the monsters and winning, and the mist is even breaking up, but it’s too late for David, who just shot all his friends and his son.
Brian’s Commentary
The casting in this is amazing— so many recognizable faces. The pacing is really good, as it’s long but never drags.
It’s got probably the bleakest ending of any movie, but its also really appropriate and works well. Stephen King actually preferred this to his own book’s ending.
The creature effects hold up pretty well, but the characters and rising tension are what really drive this one. It’s a classic!
Kevin’s Commentary
An early draft of the script had a prologue scene of Project Arrowhead running an experiment during the thunderstorm that gets out of control and opens a portal to another dimension through which the mist and critters come through. They decided not to include it.
This was very good, but I actually prefer the novella that it’s based on. And I dislike the ending of the movie versus the novella that was more open ended.
2022 Catnado
Directed by: Curtis Everett, Donald Farmer, Alaine Huntington
Written by: Blake Blasko, Curtis Everett, Donald Farmer
Stars: Rebecca Rinehart, Blair Kelly, Joshua Gotte
Run Time: 1 Hour, 28 Minutes
Trailer:
Spoiler-Free Judgment Zone
IMDB says, “It’s like Sharknado, but with cats,” and that’s a pretty apt description. It also has a harsh rating of 1.7 out of 10 at the time of this posting. This is an anthology, and as a voice on the radio warns, those catnadoes can pop up anywhere, anytime. It is a supernaturally powered tornado full of evil, angry cats, for some reason. The movie is stupid and bad, yet entertaining and quite hilarious at the same time.
Spoilery Synopsis
A woman talks about the day that the sky went dark and then cats started killing. “This was no ordinary tornado. This was a catnado. No one was safe.” We’re going to see some of those stories in this anthology…
Crimes and Felines
On Halloween, we see the neighborhood is all decorated. A man talks about not being able to book their vacation cruise because of the catnadoes, which is a lot like the COVID hoax.
A woman picks up her ex from prison; he’s just been released. He’s got a lead on 1.3 million dollars hidden in a mattress. They need some cash to get there, so they rob a woman coming out of the pet store.
They arrive at the victim’s house, and it’s full of cats. Suddenly, the tornado siren goes off. Could it be a catnado? Yes, it’s a tornado full of cats, spitting them out all willy-nilly and killing people. There’s nothing worse than stirred-up cats!
To make it worse, a cat bursts out of the boyfriend’s belly and kills the girl. The pet shop lady then takes her money back.
Of Cats and Men
A man arrives at his home in the country and gets a storm warning on his phone. He then sits outside and drinks beer until the storm hits. He runs out of beer and goes after more— he runs into a cat with his truck, and it makes a big splat.
He’s about to get into a fight with another motorist when they hear a bunch of meowing. Soon, the cat-astrophe is upon them, and Mal gets hit by a car himself.
Everyone wakes up in a cabin, and they argue a lot as the yowling surrounds the house. They all go over their family drama and some deaths in the past; they all have a backstory. The drama continues until the cats get inside.
Storm Window
A man who doesn’t like storms reads Bible verses. He finds that he’s locked in a storm shelter with several cats who talk in funny accents (where did these cats grow up to learn these accents? That’s not what real cats talk like). The cats trash-talk Raymond until he slowly goes insane. “The catnado is coming for you, Raymond!”
Apocalypse Meow
A scriptwriter writes a story about a cat plague that kills millions of cats. There’s even a cat church now. The two guys, Jerry and Oliver, have a cat, but one of them is afraid of the cat. There’s a storm coming, and the weather report is pretty weird. Maybe the cat vaccine has something to do with it.
Something scratches at the door, and Oliver doesn’t want to let it in. Jerry, on the other hand, has a gun. The vaccine made millions of killing machines and hundreds of catnadoes. The two soon form a vigilante group to look for pussy.
The pair soon encounter a really big catnado. Oliver is killed, and Jerry puts on his silly hat. Somehow, Oliver has become a cat-man and comes after Jerry.
Cat Burglar
A woman talks about a man who stole her cat. There’s been a “cat burglar” in the neighborhood, and he’s wearing a mask. The detectives check out one of their informants, and he’s seen the man.
We then cut to the cat burglar, in a mask, and there’s some science-y stuff going on. The burglar promises to conjure up a catnado. There’s a shootout with the detectives, and the burglar is killed.
Nightmare at 10,000 Feet
A couple of guys are flying their small plane home, but they hear something on the roof of the plane. There’s a gremlin-cat left over from a catnado on the wing of the plane! They use a cat toy to get its attention, and the reject from “Cats” takes it away from them.
Cosmic Catnado
After the credits, another segment appears. It doesn’t make any sense at all, something about “Stinky cheese of the soul” and “Astro the Space Hero.”
Brian’s Commentary
“It’s raining cats and …” “When there’s no more room in the cat box, cats shall rule the Earth!” So many “pussy” jokes.
This has some of the worst special effects I’ve ever seen, but they’re still hilarious. It’s extremely low budget, but it’s so silly it’s hard not to like it.
Kevin’s Commentary
Who doesn’t love a vortex of cats sweeping across the land?
It’s low-budget and bad, but in a good way. The effects are terrible. I thought it was funny and entertaining. Don’t expect great cinema, but if you’re a fan of sharknado-level movies, you can expect a good time.
I have no regrets seeing it.
1999 Wishmaster 2: Evil Never Dies
Directed by: Jack Sholder
Written by: Peter Atkins, Jack Sholder
Stars: Holly Fields, Chris Weber, Al Foster, Andrew Divoff
Run Time: 1 Hour, 26 Minutes
Trailer:
Spoiler-Free Judgment Zone
During a botched robbery, Demerest the Wishmaster is accidentally released, and he becomes linked to the surviving thief. The djinn has to collect 1001 souls in exchange for wishes to trigger an apocalypse. So he gets to work, causing mayhem and death - very few of his granted wishes are benevolent. Andrew Divoff is great again as the djinn; it’s got a decent story, and the effects are very good. But the pacing is clunky, and we both thought it was pretty dull.
Spoilery Synopsis
We open on a group of thieves in the museum. They take paintings, but when they break some glass, the alarm goes off. During the ensuing gunfight, a statue gets shot and spits out a huge gemstone, which one of the thieves grabs. Morgana shoots a guard and then gets shot herself, but the jewel stops the bullet. Eric also gets shot, but he stays behind to die— except the jewel reveals something to him. The Wishmaster comes out of the jewel, and he’s quite a mess. Eric wishes he’d never been born. He suddenly de-ages down to the fetus level and then vanishes. “Done,” says the Wishmaster. When the police show up, the creature has turned into his human form, Nathaniel, and they promptly arrest him. Nathaniel tries to get the detective to make a wish, but the cop isn’t biting.
In the jail cell, Nathaniel tries to “help” some of the inmates. One guy wishes to walk right through the bars, which soon happens— like Play-Doh through the extruder. With another prisoner, he offers to make his lawyer suffer.
Meanwhile, Morgana takes Eric’s death badly. She has a nightmare about the Wishmaster demon and then goes to church. She meets an old friend, Gregory, who is now a priest. She tells him all about her odd dreams, which all seem to involve a prophecy.
Meanwhile, the djinn continues making deals for souls in prison where he’s being held. He ends up talking cryptically to Morgana in jail. Later, he makes a prison bully’s henchmen beat him to death because he wished to get “wasted.” Morgana tries to convince Gregory that evil is happening, and she keeps having visions. Gregory goes to see the djinn himself, and he’s convinced that he’s not of this world.
Gregory looks up djinns and explains the thing about needing 1,001 souls to free the Wishmaster’s entire race, and he has to finalize it by giving three wishes to the one who released him. Morgana then cuts off her pinky finger as a sacrifice to become “pure.”
Nathaniel gives a guard his wish, a minute alone to dance. He then steals the guard’s skin to walk out the front door along with his friend Osip. He soon meets Pushkin, a mob boss. Pushkin wants his enemy’s head, and he’s soon wearing it— so his men kill him. Suddenly, Morgana rushes in and shoots Nathaniel, who turns into his demon form. He offers her a wish as a reward for waking him, but she runs away.
Morgana and Gregory return to Osip, who refuses to help them. He shoots Morgana to prevent the prophecy, and she’s OK with that. Somehow, that doesn’t work - she’s locked in with the Djinn until he finishes his work. Meanwhile, Nathaniel goes to the Vegas casinos, where lots of people have wishes. It’s not going to take long for him to get the 800 more souls that he needs.
Not long after, it seems everyone is a winner at the casino. Then, everyone he granted wishes to starts dropping dead as he collects their souls from them. Now, he has only to grant Morgana’s three wishes, and he wins the Earth.
The Wishmaster takes Morgana to Hell for a chat. He’s torturing Gregory, and getting him released is her first wish. Gregory dies; that’s a release, right? She tries a lot of things, but none of them work against him. He takes her back to the casino, which has gotten all possessed, and it’s killing the patrons. Morgana wishes the guard she killed in the opening scene were alive again— this makes her pure enough to put the Wishmast back in his crystal. As she says the magic words, all his victims’ souls are returned to their owners.
Back in Hell, the Wishmaster doesn’t look happy. He’ll probably be back.
Brian’s Commentary
It’s been a while since we saw the first film, so here’s a link. This is more of the same. The deaths seem a little less creative this time, and the characters didn’t do much for me either. Andrew Divoff, as the djinn, is the only thing worth seeing here, and it’s clear that at least he’s having a good time.
I was a little bored with this one.
Kevin’s Commentary
I was initially thinking I’d seen this, but I now think it was just a compilation of some key scenes on YouTube.
It’s pointed out that when Andrew Divoff is in his human form, in this movie and the first movie, he doesn’t blink. Trivia says the director was impressed that he was doing it, but Andrew said he didn’t even realize that he was. I agree with Brian that Divoff is the bright spot in this. He’s perfect in the role, and it’s clear he’s really into it.
It’s on the dull side overall.
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